Western Wednesdays—RIDERS OF THE PURPLE SAGE

Well, I suppose I’m on a bit of a Lassiter-kick since I’m diving right into Riders of the Purple Sage this week, following last week’s encounter with the famed gunfighter in The Lassiter Luck. Riders of the Purple Sage is where we first meet Zane Grey’s iconic Lassiter, and boy does he know how to make an entrance.

Happy Reading Everyone,
Allison Carroll
Editorial and Web Coordinator

CHAPTER ONE

A sharp clip-clop of iron-shod hoofs deadened and died away, and clouds of yellow dust drifted from under the cottonwoods out over the sage.

Jane Withersteen gazed down the wide purple slope with dreamy and troubled eyes. A rider had just left her and it was his message that held her thoughtful and almost sad, awaiting the churchmen who were coming to resent and attack her right to befriend a Gentile. She wondered if the unrest and strife that had lately come to the little village of Cottonwoods was to involve her. Then she sighed, remembering that her father had founded this remotest border settlement of southernUtah, and that he had left it to her. She owned all the ground and many of the cottages. Withersteen House was here, and the great ranch with its thousands of cattle, and the swiftest horses of the sage. To her belonged Amber Spring, the water that gave verdure and beauty to the village and made living possible on that wild purple upland waste. She could not escape being involved by whatever befell Cottonwoods. 

That year, 1871, had marked a change that had been gradually coming in the lives of the peace-loving Mormons of the border. Glaze, Stone Bridge, Sterling— villages to the north—had risen against the invasion of Gentile settlers and the forays of rustlers. There had been opposition to the one and fighting with the other, and now Cottonwoods had begun to wake and better itself and grow hard.

Jane prayed that the tranquility and sweetness of her life would not be permanently disrupted. She meant to do so much more for her people than she had done. She wanted the sleepy, quiet, pastoral days to last always. Trouble between the Mormons and Gentiles of the community would make her unhappy. She was Mormon-born, and she was a friend to poor and unfortunate Gentiles. She wished only to go on doing good and being happy. And she thought of what that great ranch meant to her. She loved it all—the grove of cottonwoods, the old stone house, the amber-tinted water, and the droves of shaggy, dusty horses and mustangs, the sleek, clean-limbed, blooded racers, and the browsing herds of cattle, and the lean sun-bronzed riders of the sage.

While she waited there, she forgot the prospect of untoward change. The bray of a lazy horse broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of cañons from which rose an upflinging of the earth, not mountains, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.

The rapid beat of hoofs recalled Jane Withersteen to the question at hand. A group of riders cantered up the lane, dismounted, and threw their bridles. They were seven in number, and Tull, the leader, a tall dark man, was an elder of Jane’s church.

“Did you get my message?” he asked curtly.

“Yes,” replied Jane.

“I sent word I’d give that rider Venters half an hour to come down to the village. He didn’t come.”

“He knows nothing of it,” said Jane. “I didn’t tell him. I’ve been waiting here for you.”

“Where is Venters?”

“I left him in the courtyard.”

“Here, Jerry,” called Tull, turning to his men, “take the gang and fetch Venters out here if you have to rope him.”

The dirty-booted and long-spurred riders clanked noisily into the grove of cottonwoods and disappeared in the shade.

“Elder Tull, what do you mean by this?” demanded Jane. “If you must arrest Venters, you might have the courtesy to wait till he leaves my home. And if you do arrest him, it’ll be adding insult to injury. It’s absurd to accuse Venters of being mixed up in that shooting fray in the village last night. He was with me at the time. Besides, he let me take charge of his guns. You’re only using this as a pretext. What do you mean to do to Venters?”

“I’ll tell you presently,” replied Tull. “But first you tell me why you champion this worthless rider.”

“Worthless!” exclaimed Jane indignantly. “He’s nothing of the kind. He was the best rider I ever had. There’s not a reason why I shouldn’t champion him and every reason why I should. It’s no little shame to me, Elder Tull, that through my friendship he has roused the enmity of my people and become an outcast. Besides, I owe him eternal gratitude for saving the life of little Fay.”

“I’ve heard of your love for Fay Larkin and that you intended to adopt her. But . . . Jane Withersteen, the child is a Gentile!”

“Yes. But, Elder, I don’t love the Mormon children any less because I love a Gentile child. I shall adopt Fay if her mother will give her to me.”

“I’m not so much against that. You can give the child Mormon teaching,” said Tull. “But I’m sick of seeing this fellow Venters hang around you. I’m going to put a stop to it. You’ve so much love to throw away on these beggars of Gentiles that I’ve an idea you might love Venters.”

Tull spoke with the arrogance of a Mormon whose power could not be brooked and with the passion of a man in whom jealousy had kindled a consuming fire.

“Maybe I do love him,” said Jane. She felt both fear and anger stir her heart. “I’d never thought of that. Poor fellow! He certainly needs someone to love him.”

“This’ll be a bad day for Venters unless you deny that,” returned Tull grimly.

Tull’s men appeared under the cottonwoods and led a young man out into the line. His ragged clothes were those of an outcast, but he stood tall and straight, his wide shoulders flung back, with the muscles of his bound arms rippling and a blue flame of defiance in the gaze he bent on Tull.

For the first time Jane Withersteen felt Venters’s real spirit. She wondered if she really loved this splendid youth. Then her emotion cooled to the sobering sense of the issue at stake.

“Venters, will you leave Cottonwoods at once and forever?” asked Tull tersely.

“Why?” rejoined the rider. “

Because I order it.”

Venters laughed in cool disdain.

The red leaped to Tull’s dark cheek. “If you don’t go, it means your ruin,” he said sharply.

“Ruin!” exclaimed Venters passionately. “Haven’t you already ruined me? What do you call ruin? A year ago I was a rider. I had horses and cattle of my own. I had a good name in Cottonwoods. And now, when I come into the village to see this woman, you set your men on me. You hound me. You trail me as if I were a rustler. I’ve no more to lose . . . except my life.”

“Will you leave Utah?”

“Oh! I know,” went on Venters tauntingly, “it galls you, the idea of beautiful Jane Withersteen being friendly to a poor Gentile. You want her all yourself. You’re a wiving Mormon. You have use for her . . . and Withersteen House and Amber Spring and seven thousand head of cattle!”

Tull’s hard jaw protruded and rioting blood corded the veins of his neck. “Once more. Will you go?”

“No!”

“Then I’ll have you whipped within an inch of your life,” replied Tull harshly. “I’ll turn you out in the sage. And if you ever come back, you’ll get worse.”

Venters’s agitated face grew coldly set and the bronze changed to gray.

Jane impulsively stepped forward. “Oh! Elder Tull!” she cried. “You won’t do that!”

Tull lifted a shaking finger toward her. “That’ll do from you. Understand, you’ll not be allowed to hold this boy to a friendship that’s offensive to your bishop. Jane Withersteen, your father left you wealth and power. It has turned your head. You haven’t yet come to see the place of Mormon women. We’ve reasoned with you, borne with you. We’ve patiently waited. We’ve let you have your fling, which is more than I ever saw granted to a Mormon woman. But you haven’t come to your senses. Now, once and for all, you can’t have any further friendship with Venters. He’s going to be whipped and he’s got to leave Utah!”

“Oh! Don’t whip him! It would be dastardly!” implored Jane with slow certainty of her failing courage. Tull always blunted her spirit, and she grew conscious that she had feigned a boldness that she did not possess. He loomed up now in different guise, not as a jealous suitor, but embodying the mysterious despotism she had known from childhood—the power of her creed.

“Venters, will you take your whipping here or would you rather go out in the sage?” asked Tull. He smiled a flinty smile that was more than inhuman, yet seemed to give out of its dark aloofness a gleam of righteousness.

“I’ll take it here . . . if I must,” said Venters. “But, by God! . . . Tull, you’d better kill me outright. That’ll be a dear whipping for you and your praying Mormons. You’ll make me another Lassiter!”

The strange glow, the austere light that radiated from Tull’s face, might have been a holy joy at the spiritual conception of exalted duty. But there was something more in him, barely hidden, a something personal and sinister, a depth of himself, an engulfing abyss. As his religious mood was fanatical and inexorable, so would his physical hate be merciless.

“Elder, I . . . I repent my words,” Jane faltered. The religion in her, the long habit of obedience, of humility, as well as agony of fear, spoke in her voice. “Spare the boy,” she whispered.

“You can’t save him now,” replied Tull stridently.

Her head was bowing to the inevitable. She was grasping the truth, when suddenly there came, in inward constriction, a hardening of gentle forces within her breast. Like a steel bar it was, stiffening all that had been soft and weak in her. She felt a birth in her of something new and unintelligible. Once more her strained gaze sought the sage slopes. Jane Withersteen loved that wild and purple wilderness. In times of sorrow it had been her strength, in happiness its beauty was her continual delight. In her extremity she found herself murmuring: “Whence cometh my help?” It was a prayer, as if forth from those lonely purple reaches and walls of red and clefts of blue might ride a fearless man, neither creed-bound nor creed-mad, who would hold up a restraining hand in the faces of her ruthless people.

The restless movements of Tull’s men suddenly quieted down. Then followed a low whisper, a rustle, a sharp exclamation.

“Look!” said one, pointing to the west.

“A rider!”

Jane Withersteen wheeled and saw a horseman, silhouetted against the western sky, coming out of the sage. He had ridden down from the left, in the golden glare of the sun, and had been unobserved till close at hand. An answer to her prayer!

“Do you know him? Does anyone know him?” questioned Tull hurriedly.

His men looked and looked, and one by one shook their heads.

“He’s come from far,” said one.

“Thet’s a fine hoss,” said another.

“A strange rider.”

“Huh! He wears black leather,” added a fourth.

With a wave of his hand, enjoining silence, Tull stepped forward in such a way that he concealed Venters.

The rider reined in his mount and, with a lithe forward-slipping action, appeared to reach the ground in one long step. It was a peculiar movement in its quickness and inasmuch that, while performing it, the rider did not swerve in the slightest from a square front to the group before him.

“Look,” hoarsely whispered one of Tull’s companions. “He packs two black-butted guns . . . low down . . . they’re hard to see . . . black ag’in’ them black chaps.”

“A gunman,” whispered another. “Fellers, careful now about movin’ your hands.”

The stranger’s slow approach might have been a mere leisurely manner of gait or the cramped short steps of a rider unused to walking, yet, as well, it could have been the guarded advance of one who took no chances with men.

“Hello, stranger!” called Tull. No welcome was in this greeting, only a gruff curiosity.

The rider responded with a curt nod. The wide brim of a black sombrero cast a dark shade over his face. For a moment he closely regarded Tull and his comrades, and then, halting in his slow walk, he seemed to relax.

“Evenin’, ma’am,” he said to Jane, and removed his sombrero with quaint grace.

Jane, greeting him, looked up into a face that she trusted instinctively and which riveted her attention. It had all the characteristics of the range riders’—the leanness, the red burn of the sun, and the set changelessness that came from years of silence and solitude. But it was not these which held her, rather the intensity of his gaze, a strained weariness, a piercing wistfulness of keen, gray sight, as if the man was forever looking for that which he never found. Jane’s subtle woman’s intuition, even in that brief instant, felt a sadness, a hungering, a secret.

“Jane Withersteen, ma’am?” he inquired. “

Yes,” she replied. “

The water here is yours?”

“Yes.”

“May I water my horse?”

“Certainly. There’s the trough.”

“But mebbe if you knew who I was. . . .” He hesitated, with his glance on the listening men. “Mebbe you wouldn’t let me water him . . . though I ain’t askin’ none for myself.”

“Stranger, it doesn’t matter who you are. Water your horse. And if you are thirsty and hungry, come into my house.”

“Thanks, ma’am. I can’t accept for myself . . . but for my tired horse. . . .”

Trampling of hoofs interrupted the rider. More restless movements on the part of Tull’s men broke up the little circle, exposing the prisoner Venters.

“Mebbe I’ve kind of hindered somethin’ . . . for a few moments, perhaps?” inquired the rider.

“Yes,” said Jane Withersteen with a throb in her voice.

She felt the drawing power of his eyes, and then she saw him look at the bound Venters, and at the men who held him, and their leader.

“In this here country all the rustlers an’ thieves an’ cutthroats an’ gun-throwers an’ all-’round no-good men jest happen to be Gentiles. Ma’am, which of the no-good class does that young feller belong to?”

“He belongs to none of them. He’s an honest boy.”

“You know that, ma’am?”

“Yes . . . yes.”

“Then what has he done to get tied up that way?”

 His clear and distinct question, meant for Tull as well as for Jane Withersteen, stilled the restlessness and brought a momentary silence.

“Ask him,” replied Jane, her voice rising high.

The rider stepped away from her, moving out with the same slow, measured stride in which he had approached, and the fact that his action placed her wholly to one side and him no nearer to Tull and his men had a penetrating significance.

“Young feller, speak up,” he said to Venters.

“Here, stranger, this’s none of your mix,” began Tull. “Don’t try any interference. You’ve been asked to drink and eat. That’s more than you’d have got in any other village on the Utah border. Water your horse and be on your way.”

“Easy . . . easy . . . I ain’t interferin’ yet,” replied the rider. The tone of his voice had undergone a change. A different man had spoken. Where, in addressing Jane, he had been mild and gentle, now, with his first speech to Tull, he was dry, cool, biting. “I’ve jest stumbled onto a queer deal. Seven Mormons all packin’ guns, an’ a Gentile tied with a rope, an’ a woman who swears by his honesty! Queer, ain’t that?”

“Queer or not, it’s none of your business,” retorted Tull.

“Where I was raised, a woman’s word was law. I ain’t quite outgrown that yet.”

Tull fumed between amazement and anger. “Meddler, we have a law here something different from a woman’s whim . . . Mormon law! Take care you don’t transgress it.”

“To hell with your Mormon law!”

The deliberate speech marked the rider’s further change, this time from kindly interest to an awakening menace. It produced a transformation in Tull and his companions. The leader gasped and staggered backward at a blasphemous affront to an institution he held most sacred. The man Jerry, holding the horses, dropped the bridles and froze in his tracks. Like posts the other men stood, watchful-eyed, arms hanging rigid, all waiting.

“Speak up now, young man. What have you done to be roped that way?”

“It’s a damned outrage!” burst out Venters. “I’ve done no wrong. I’ve offended this Mormon elder by being a friend to that woman.”

“Ma’am, is it true . . . what he says?” asked the riderof Jane, but his quivering, alert eyes never left the little knot of quiet men.

“True? Yes, perfectly true,” she answered.

“Well, young man, it seems tome that bein’ a friend to such a woman would be what you wouldn’t want to help an’ couldn’t help. . . . What’s to be done to you for it?”

“They intend to whip me. You know what that means . . . inUtah!”

“I reckon,” replied the rider slowly.

With his gray glance coldly on the Mormons, with the restive bit-champing of the horses, with Jane’s failing to repress her mounting agitation, with Venters, standing pale and still, the tension of the moment tightened. Tull broke the spell with a laugh, a laugh without mirth, a laugh that was only a sound betraying fear.

“Come on, men!” he called.

Jane Withersteen turned again to the rider.

“Stranger, can you do nothing to save Venters?”

“Ma’am, you ask me to save him . . . from your own people?”

“Ask you? I beg of you!”

“But you don’t dream who you’re askin’.”

“Oh, sir, I pray you . . . save him!”

“These are Mormons, an’ I. . . .”

“At . . . at any cost . . . save him. For I . . . I care for him!”

Tull snarled: “You lovesick fool! Tell your secrets. There’ll be a way to teach you what you’ve never learned. Come, men, out of here!”

“Mormon, the young man stays,” said the rider.

Like a shot his voice halted Tull.

“What?”

“He stays.”

“Who’ll keep him? He’s my prisoner!” cried Tull hotly. “Stranger, again I tell you . . . don’t mix here. You’ve meddled enough. Go your way now or. . . .”

“Listen! He stays.” Absolute sincerity, beyond any shadow of doubt, breathed in the rider’s low voice.

“Who are you? We are seven here.”

The rider dropped his sombrero and made a rapid movement, singular in that it left him somewhat crouched, arms bent and stiff, with the big black gun sheaths swung around to the fore.

Lassiter!” It was Venters’s wondering, thrilling battle cry that bridged the fateful connection between the rider’s singular position and the dreaded name.

Tull put out a groping hand. The life of his eyes dulled to the gloom with which men of his fear saw the approach of death. But death, while it hovered over him, did not descend, for the rider waited for the twitching fingers, the downward flash of hand that did not come. Tull, gathering himself together, turned to the horses, attended by his pale comrades.

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4 Responses to Western Wednesdays—RIDERS OF THE PURPLE SAGE

  1. Craig Clarke says:

    Can you go into some detail as to what is different about this “uncut, uncensored” edition? Thanks. 🙂

  2. Allison Carroll, Editorial and Web Coordinator says:

    Hi Craig,
    Here’s an interesting excerpt from Jon Tuska’s Forward to Riders of the Purple Sage that addresses many of the changes Zane Grey’s manuscript has seen over the years:

    “The changes and alterations in Riders of the Purple Sage, based on the original holographic manuscript in the collection of the Ohio State Historical Society, are even more drastic and alter the entire perspective of the story. When I had finished copy-editing the original version of what remains of Zane Grey’s masterpiece, I wrote to Loren Grey:
    Enclosed are the unproofed galley pages of Riders of the Purple Sage: The Restored Edition. It answers a number of questions that the characters and situations posed after publication of the bowdlerized version by Harper & Bros. I followed along with the original text as I was copy-editing, and I was astonished at just how much Ripley Hitchcock rewrote what your father had written. These changes haven’t always to do with your father’s story, but with matters of authorial voice, and often (if you compare the two versions) the changes in tone, diction, and style tend to be somewhat jarring. In every case, I prefer the way Zane Grey put it. You asked about Fay Larkin. That question isn’t really answered in the omniscient third person. Jane believes Fay is her half sister. The blonde hair would seem to support this. But as Jane also points out, Mrs. Larkin would not tell her the truth even on her deathbed. Fay is turned over to the rustlers, just as young Bess was. I think this implies a certain power struggle in Cottonwoods, since Withersteen’s progeny with Gentile women are abandoned to rustlers rather than being forcibly brought up Mormons. Jane is scarcely a traditional heroine, since she has had a sexual relationship with Bern Venters, seduces Lassiter, and then flies into a jealous rage at Venters when she discovers that Venters has been living in Surprise Valley with Bess. The only reason Jane finally abandons all hope of flight by providing Venters and Bess with Night and Black Star to escape is because Bess is also her half sister, a relationship she can never publicly acknowledge. There is a lot of deception in that final meeting and departure, since Venters also lies about Wrangle’s race. Jane tells Lassiter that she loves him at the end, but I am unsure if she is to be entirely believed. In The Desert Crucible, Jane and Lassiter visit with Bern and Bess in Illinois, but there is no hint that Jane is going to be more truthful about Bess’s heritage—and ultimately it would do Bess little good. Jane is constantly forced into brutal moral dilemmas by the Mormons, above all when she has to choose between Lassiter’s life and Fay’s marriage to a Mormon. Perhaps this might be a final answer to the question of how much she loves Lassiter. This book is scheduled for publication in January, 2005. It is the finest Western story I have ever read. . . . ”

    Tuska’s Forward is a good read in its own right as he discusses censorship of not only Riders of the Purple Sage, but other Westerns as well.

    Best,
    Allison

    • Craig Clarke says:

      Wow, thanks for that excerpt. Riders is so far the only Grey book I’ve not finished, but I tried it many years ago in another edition. Looks like I need to read the one he actually wrote. 🙂

  3. Donna Cooper says:

    Don’t you love the opening? What a treasure! Donna

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