Fresh from the produce section!

Although the name might suggest, there’s nothing rotten in Denmark today, fellow film enthusiasts and blog lurkers! Rotten Tomatoes is a website for critics to take aim at some of the best (and worst) film releases. Now, don’t go hurrying to your local corner store for half a dozen of these succulent, serviceable fruits. I bear far more exciting news!

Do you recall when we posted the trailer for the film adaptation of Jack Ketchum and Lucky McKee’s The Woman last week? Well, the results are here! Weighing in at an impressive 81% positive rating, critics heralded The Woman‘s film debut as nothing short of “disturbing, lurid, and perverse”—in the best way possible! V.A. Musetto of the New York Post goes on to say “horror buffs, especially fans of Ketchum, will be overcome with joy and excitement.”

The Woman is described as “excitingly unique, deeply disturbing, and beautifully macabre” according to Dustin Putman. “[Approaching] an almost Lynchian type of unsettling nightmare.” Dorchester couldn’t be happier with the surge of appreciation from film aficionados. In the words of Bill Gibron, this “surreality to celebrate” may yet become the next cult classic.

Why not make it a double feature this Halloween? Pop the popcorn and save those rotten tomatoes for another evening by curling up with a copy of The Woman. You won’t be disappointed!

Signing off,

Jillian—The Zombie Intern

The Horrors of Department 18 Exposed

The horrors of Department 18 exposed
By Paige Turner

Hertfordshire, UK (AFP)—What was recently reported as a domestic disturbance at a downtown apartment block that resulted in three deaths looks to have been a cover-up for something far darker. An eye witness has stepped forward with an account of the ‘disturbance’ that is greatly different from the official police report. Much of the facts of the case have been sealed, not by local law enforcement, but by a government agency simply referred to as “Department 18.” While this department volunteered no comment when contacted, sources have led to two researchers, Len Maynard and Mick Sims, who have had past dealings with the government agency in question. I was able to meet with them briefly and what they had to say was quite shocking.

I had to agree to meet up with them in a bar in an out-of-town suburb. The booth they had chosen was at the back, presumably an exit within easy reach. They sat facing the doors so they could see who was coming in. Throughout the interview one of them talked while the other was clearly keeping a watchful eye out for…well, for what, or for whom?

Q. When did you first discover the existence of Department 18?

It was while we were writing Black Cathedral. It mentioned, almost in passing, Department 18. This was something we had heard about in whispered conversations in and around the restaurants and bars of London.

We then, over a period of a few months, became aware that we were being—what should we say? We were being ‘watched.’ We became aware our phones were being hacked, people were seen outside our houses, our friends and families reported being contacted about us.

So Department 18 exists, so far as we know. In Whitehall in London, near where the Guards in their Bearskin hats and the Changing Of the Guard and Buckingham Palace all get photographed every day, are some palatial offices where tea does get drunk, and investigations do take place.

We didn’t realise by mentioning it in our novel that there would be quite such a fuss. We didn’t think when we got our website updated that linking to the website would mean attention on this scale.

Q. In Night Souls and Black Cathedral, you reveal to the public a variety of paranormal activity going on in the world today as well as the inner workings of a secret government agency that works to protect society from any dangers these activities pose. Why did you decide to go public with these events and Department 18’s involvement in them?

When you gradually realize that your own government is keeping tabs on you it makes you more than paranoid. It can’t be true because the government is there to protect us. That’s what everyone is encouraged to believe.

Every time you hit on, even if out of curiosity, then a file is opened up on you and you come under their scrutiny.

When we knew Black Cathedral was making many waves in high places, and Night Souls would make that worse, we decided to investigate as many paranormal events as we could find. Not only in England and the U. S. A. but worldwide. It was eye-opening. So many events that conspiracy theorists get castigated about are in fact linked to the Department and many have supernatural origins.

Q. Night Souls reports on Department 18’s discovery of the existence of the Breathers, a species of vampire-like creatures that feed on human souls. Do you expect people to be able to look past their pop culture-infused ideas about vampires and take the necessary steps to protect themselves?

We think the Spiraci, or Breathers, are the Vampires of the 21st Century. Ironic, really, when they have been around for centuries. They are the iVampires if you like, the bloodsuckers for the SmartPhone generation.

Certainly the Breathers encompass all modern trends, and always have, to ensure they keep up a steady stream of ‘candidates’ for their ‘restaurants.’ If they have to masquerade as rock gods to get what they want, then they will. If they have to don Armani to infiltrate the upper echelons of society then they do that as well. You only have to look at news clips and videos from past decades and you’ll see them in the background, mingling with the crowds. Look at film of the Stones at Altamont. Look at the crowds in Dallas.

Everyone should protect themselves against them, but thanks to Department 18, no one will get to hear about them. Only through Night Souls reaching readers can the public be made aware of how much danger we are all in.

Q. From the events told in Black Cathedral, clearly the men and women of Department 18 are willing to risk their lives to overcome these paranormal threats. While once a much more public unit, the Department’s operations are now very secretive. Does the public have anything to fear from Department 18? Does it help or hurt the Department’s cause to work unseen in the shadows?

The origins of Department 18 can be traced back to a meeting in 1922 between Fletcher Pressman, the munitions millionaire, and Genevieve Madison, an American medium, well-known in the United States for her work in the field of psychic research, and equally for a series of exposes of fake mediums and clairvoyants.

During the Second World War their services were called upon by the War Office. Hitler was rumoured to be dabbling in the occult and especially black magic, and so Pressman, Madison, and their team were given the role of advisers to the SIS, the Special Intelligence Service.

Pressman died from a heart attack in 1944. It was a blow from which Genevieve Madison never recovered and, immediately after the war, she went back home to America where she died eighteen months later. Rather than disband the team, the government initiated a special department to carry on the investigations into paranormal phenomena.

Q. You recently discovered that Department 18 has case files open on both of you. Have you ever been contacted directly by a Department agent in regards to the cases you’ve made public in Night Souls and Black Cathedral?

(At this point both Maynard and Sims demanded we move bars. I don’t know if they saw something or if the question was too raw for them. We took to our vehicles and drove a complicated back and forth route to another bar in a different part of town. When we were seated in a booth that suited them, we ordered steaks, burgers, some Sam Adams and Smirnoff, then we got started again.)

Len was nearly led into a ‘honey trap’ by a female Department operative. He was contacted discreetly at work and a relationship began to build that seemed perfectly natural and normal. After a few dates he became suspicious. She never talked about herself much, never wanted to go back to her place, and had no family photos to show.

It was when she began to ask detailed and pressing questions about Len’s writing that he became aware that this lady was more than she purported to be. She took the break up badly, was persistent in trying to get back with him, but when he in turn followed her, as best he could—after all we have had no covert training—he found her pressing the buzzer of a building in Whitehall London. She was Department 18.

Mick was at a cocktail party in London when two apparently friendly business types engaged in what became a long and increasingly personal discussion about Mick’s political beliefs. It was when they asked if he would be interested in joining a certain charitable organization that Mick made a polite exit for the buffet. Shrimp was good.

Q. In your opinion, should Department 18 be doing more to educate the public about paranormal activity?

Simon Crozier says, “We at D18 now tend to operate beneath the public radar. Although we are a part of the Civil Service, and accountable to the usual government committees and ministries, we work in the same kind of netherworld that MI’s 5 and 6 inhabit. At the end of the day, whether they are aware of us or not, I like to think that we work in the public’s best interests, and that has to be our primary concern.”

That is a lot of baloney. They keep things secret because it suits them to do so. If the public became aware of half what they get up to there would be an outcry.

Q. Have any new cases surfaced that you’re researching?

There are several cases on the site that refer to stories of ours that have been published over the past 30 years. Although, on the site it states that “these cases have been cleared for wider dispersal.” This is in fact a lie, as access to them triggers a link being made to the accessing computer and from that moment onwards you are theirs. This is a typical excerpt from one of their files (CASE STUDY: D18 / 3257 / 2005) NOTE—this story (as with many other cases, has been written up as a piece of fiction by LH Maynard (see NOTE 1953) & MPN Sims (see NOTE 1952) as a short story ONION and was published in a fiction anthology THE SECOND BLACK BOOK OF HORROR. This is edited by a Charles Black (ACTION—research and ascertain details of Mr Black.)

Even more worrying are the personal files they have compiled on us. Here is CASE STUDY D18 2008 / 39M P N SIMS / Michael Philip Norman Sims was born in New Cross London in December 1952. He moved to Enfield in 1956—see case 38. He met Maynard in 1964 in Enfield Middlesex. Father dies in late 50’s leaving widow. Mother dies after long Alzheimers aged 71. Has brother, seems unrelated to investigation. Has wife and daughter. All 3 close family live in ——— in Hertfordshire. Michael appears to have done reasonably at his schooling, leaving at 19 and began work in banking where he is still employed. This may be a mask for his real activities. Since age 21 Sims has written supernatural stories. Many mirror to a specific degree known and recorded D18 investigation. NOTE—is Sims privy to Department data? In 1979 with Maynard, Sims had his first book published SHADOWS AT MIDNIGHT. And so it goes on.

Q. Would you ever consider working with/for the Department?

I think this conversation is over. Have you ever been to London? Why are you asking all these questions anyway? Do you know Robert Carter?

At this point in the interview both Maynard and Sims stood and left the bar, using a side exit. I watched them get into a rented Buick and drive off into the night. Clearly my last question had spooked them.

I have to add, though, that they had thrown enough bills onto the table to enable me to order a very nice Key Lime Pie for dessert and still leave a decent tip.

It seems clear to me, reviewing their responses, that there is something deeply sinister in Department 18. Whether these two authors are at risk of personal harm, I can’t say.

But what I would say without hesitation is that the public has a right to know. I for one aim to get Department 18 out of the shadows by shining a very bright light on them.

Free Fiction—SIREN’s Ligeia lives on


Fans of John Everson’s novel Siren should visit the new website devoted to the lore of the deadly sea creature. Not only has Everson partnered with Nox Arcana to provide the goosebump-inducing background music for the new site at, but he also has just released a brand new, free story about Ligeia, the siren of Siren.

Originally written for an Italian webzine with a “Pirate Ship & Sirens” theme, after the story was translated and released in Italian, Everson released it on the site as a Bonus Story titled “Ligeia’s Revenge on the Queen Anne’s Resurrection.”

In addition to free, previously unpublished (in English anyway) Siren fiction, the new website also includes “The Map” showing the town of Delilah, where the novel takes place, as well as a “Preview” teaser chapter from the novel. There are also reviews, a couple of blogs about the “Making Of” Siren (including one originally published on and a section on the “Legend of the Siren” which details some of the classic mythology of Sirens.

The site also features the “Songs of the Siren”—some music videos featuring songs that Everson listened to while writing the novel.

Check it all out at

Dorchester Around the World

Beauty is in the eye of the beholder, right?  With the influx of author submissions, galleys, and other materials sent to Dorchester, I get really excited to see boxes shipped to us.  Why do I get so excited for cardboard?  Because I know they have one of two things: new trade books, or new foreign issues of our books!  The foreign editions of our titles come across my desk often.  Most are amazing, and some I raise an eyebrow to; but with the constant flow of these foreign covers, it got me wondering how other countries and cultures interpret a story, and how they choose pictures and images to represent that story.  Sometimes the foreign covers are similar to Dorchester’s, and other times it takes a stretch of my imagination to understand the designer’s vision.  While working in the Production department, I’ve seen many covers and ideas come across the table.  It’s interesting how other cultures interpret the infamous Romance clinch cover.

While I appreciate foreign covers that stick with a similar theme or image, I found that I really love the foreign covers that allow a little more creativity.  In the German cover of Erin Kellison’s Shadow Bound, the artist still has a female figure, but I don’t think she is the focus.  In the U.S. cover, the figure stares straight at the reader, drawing her in with a mysterious atmosphere surrounding her.  The German cover features the profile of a starkly pale, yet luminous, young woman.  The highlighted sections around her face help illustrate the paranormal aspects of the text.  So, I’m stuck; what do y’all think?

The Polish cover of Leanna Renee Hieber’s A Strangely Beautiful Tale of Miss Percy Parker is stunning.  I love the psychedelic colors and the scene of London in the background.  The color on both covers pops off the bookshelf, and would definitely attract a reader’s attention.  I love the youthful font on the U.S. version of the cover, and there’s something intriguing about the ghostlike figure on the Polish cover.  Which is the people’s champ?

My opinion is great and all, but I want to hear from you.  Which is your favorite foreign cover!  Have you seen any more of your favorite Dorchester authors’ foreign covers?  Comment and share!

Can’t get enough?! Check out some more German editions of many Dorchester authors here!  P.S.  It helps if you can read German; if not, Google translate has become my new b.f.f.!

I Spy…Dorchester covers in a Verizon iPad2 commercial!

Most of us fast forward through commercials these days, but even so the chances are good that you’ve seen the Verizon iPad2 commercial below. It’s on every channel these days and four of Dorchester’s titles are featured in it!

I’ve grabbed a freeze frame from the commercial 6 seconds in in which you can very briefly see the covers of The Battle Sylph by L. J. McDoanld, The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber, Siren by John Everson, and The Bonaparte Secret by Gregg Loomis.

What? They chose Twilight as the book to flip through and not ours? Like anyone’s read that! Hmph.

Still, this is an awesome Easter egg. Very fun—and perhaps a little subliminal advertising:)


Exclusive 6 Chapter Preview of THE PUMPKIN MAN by John Everson

August ends, September begins, and it’s as though someone flips a switch. Suddenly it’s fall, the leaves are turning, the weather’s cooling, and the stores are bringing out the Halloween decorations. It always seems a bit premature, but then before you know it, the holiday has come and gone.

To gear up for Halloween and Dorchester’s release of The Pumpkin Man (Oct 4, trade and e-book) by horror heavy-weight John Everson, we’re offering an exclusive six chapter preview of the book to our e-newsletter subscribers. Every Friday, beginning this Friday the 16th and ending October 7th,  subscribers to our General Interest and Horror newsletters will receive installments of the first 6 chapters, including the prologue and journal entries, in their inbox!

Everson himself will be stopping by the blog after the preview wraps up in October, so be sure to stay caught up on the preview chapters. If you’re not already signed up for one of the Dorchester free e-newsletters, sign up now! Don’t miss out on this exclusive content plus all the latest news, coupons, and more newsletter insiders!

Music and the New Reading Experience + Giveaway

In my room I have a wall hanging that says, “Music is what feelings sound like.”  It is my absolute favorite quote.  Music enhances a person’s feelings by touching the soul.  At least, that is how I hear it. 

I am constantly listening to music; especially when I’m reading.  I love it when my iPod is on shuffle and a song comes on that fits the scene that I’m reading in my book.  For example, the other day I was reading Again the Magic by Lisa Kleypas.  I had finished it and wanted to reread the ending.  So I did, but this time I was listening to The Blower’s Daughter by Damien Rice.  As I was reading the scene, I began to tear up (happy tears!).  Yes, I get emotional when I read.  Emotionally speaking, listening to music is a great way to become even more engrossed in the novel. 

Many authors find inspiration for their writing in music.  Some have even written their own soundtracks.  Jennifer DeLucy, author of the Light series, has written several original songs for her books, all of which can be found on her website.  In addition to these, she has posted playlists for each book.  According to her website, these playlists had a “powerful impact” on her writing.  YA author Alexandra Monir is also a recording artist.  With the publication of her novel, Timeless, she released an album on iTunes (all original songs) meant to compliment the story.  Even Dorchester’s own Phyllis Bourne listens to music when she writes.  “For each of my books, I’ve had ONE song that I replay over and over (and over) again until the book is done.”  For Operation Prince Charming, she listened to “Fascination” by Kem. Likewise for By New Year’s Day in The Holiday Inn anthology, she listened to “Lonely” by Jaheim.  “I Can Change” by John Legend influenced her while writing A Moment on the LipsSecret Legacy author Anna DeStefano created a playlist, which can be found on her website

When asked if she likes to write in silence, Dorchester author, Marie-Claude Bourque replied, “I usually write with music. Music drives the strong imageries that I translate in my writing. I have a playlist for each of my projects. Ancient Whispers was written to Nine Inch Nails and Loreena McKennitt.” 

Romance fiction author Paula Rose discusses the impact of music on the writing process, both her own as well as others: “When I played the songs that called to me, I had instant recall of emotion and purpose every time, which quickly centered me in my story and conflict.   This realization prompted me to make a playlist for each of my books…” 

With the popularity of listening to music when writing and reading, I wonder if the two could ever be paired together commercially. Publishers may begin incorporating music into e-books what with the enhanced e-book already on our doorstep. Could book soundtrack deals between authors and publishers and recording studios be right around the corner?  The marketing possibilities abound.  Companies like Sony, which sells music as well as e-readers, could already be heading in that direction.  In September of 2008, Sony BMG released a soundtrack for Brad Meltzer’s novel Book of Lies.  The album can be bought on both iTunes and Amazon.  Cathedral Rock Publishing has actually developed a tool for authors to embed music into the e-books themselves called “Book Is the Store.”

How awesome would it be to listen to the music the author used to help her create the world you had just visited?  By listening to the author’s soundtrack or playlist, the reader can be pulled into the author’s imagination even more.  If you don’t like to listen to music as you read, then you don’t have to.  You can listen to the songs another time.  Either way, the reader can be drawn deeper into the author’s world.

With the rise in popularity of e-books, e-book soundtracks, and digital entertainment, I wonder what will be next.  There’s already a Netflix for books called BookSwim and a Pandora for books called BookLamp.  We’ll just have to wait and see. 

Signing off,



Giveaway: Do you ever make playlists for the books you read? Have you ever listened to an author’s playlist for a book? What are some songs you think would compliment your favorite book? Let us know what you think and be entered to win an assortment of trade and mass market paperbacks worth over $25!

Chuck Hustmyre: Dorchester’s got a movie-magic author

Most authors have a way with words (or their editors do). Some authors have a mastery over words.  This mastery is uncommon. It often results in the kind of reading that activates all the senses; the lines between reality and fiction blur, and suddenly you forget that you’re not really fighting a maleficent wizard or beholding Frankenstein’s monster, you’re not really d’Artagnan pursuing Athos in a duel, and that isn’t really the smell of Christmas dinner, and no that is not Tiny Tim sitting next to you. The ability to activate this kind of relationship between book and reader is rare. That being said, this rarity is exactly what film studios look for when opting to translate a book into film. They want that umami, that mastery that makes words into movie magic. It’s not every day that an author gets the honor of having their book made into a movie, and guess what? Dorchester’s got one of them.

Chuck Hustmyre is a new author at Dorchester. His first book with us, A Killer Like Me, is set to be published in August 2011. Yet Hustmyre’s already an authorial pro. He’s the author of An Act of Kindness (Penguin, 2007), House of the Rising Sun (Salvo Press, 2004), Unspeakable Violence, and Killer With a Badge (Penguin, 2004). He’s written nearly 700 newspaper and magazine articles and is the recipient of myriad journalistic awards. Being the impressively dark, gritty crime novelist that he is, it comes as no surprise his first novel, House of the Rising Sun, was optioned by Grindstone/Lionsgate in 2010.

House of the Rising Sun follows an ex-New Orleans cop who gets framed for a robbery and murder that takes place at the Mafia-owned casino/brothel where he works. This book has been called “lean, mean and nasty,” “grim,” and hailed as “superb detective fiction.” Edward Noeltner of CMG, the film’s international sales company, gushed that the “House of the Rising Sun is the ideal combination of crime, action, and thriller elements.”

Hustmyre is known for effortlessly transporting his readers into whatever crime scene he’s painting. His 22 years in law enforcement allows him to make even police procedure feel accessible to the average reader. There’s no doubt that he’s got something special, and needless to say we’re pretty proud to have a movie-magic author here at Dorchester.

Expect to see House of the Rising Sun in theaters in 2011. The film will star David Bautista (WWE Champion, Wrong Side of Town), Amy Smart (Crank, The Butterfly Effect), Dominic Purcell (Prison Break, Equilibrium), Craig Fairbrass (The Bank Job), and Danny Trejo (Machete). Brian A. Miller (Caught in the Crossfire) will direct. For more info on the film, please visit Chuck’s Web site.


Congrats to L. J. McDonald—Library Journal names THE BATTLE SYLPH a Top Romance of 2010!

“Deftly written, intensely seductive, and emotionally compelling, this riveting story introduces readers to characters they want to know better and a mesmerizing, magical world that they won’t want to leave. Fortunately for fantasy fans, McDonald’s first novel is the beginning of a series and a stunning, incredibly creative debut.”    —Library Journal, (starred review)

Enter the World of the Sylphs

A special message from L. J.

For years without count, the kingdom of Eferem has made sylphs into slaves, all bound into silent obedience.  From another dimension, they are brought into this world through a magical gate and tied to human masters they must obey. The sylphs’ masters use their own life force to both feed the creatures and keep them in a world they would otherwise be banished from.  Empathic, the sylphs can feel the emotions of everyone around them while their masters also gain that ability but only towards their sylphs.  Even with this unique connection, sylphs are seen as no more than clever animals, happy and eager to obey.

The sylphs are also beings of immense power that Eferem feels must be kept under control.  They are spirit creatures formed from pure energy, empaths who are able to change their shape and who use their energy in different ways, depending upon their type.  Five of the breeds are female and easy to control.  Earth, air, water, fire, and healing sylphs are peaceful, docile beings, able to control their respective element or to heal, who grow in power as they grow in age and are passed down through generations of families to keep them tied firmly to the world

There is a sixth type of sylph though, one very different from their gentle sisters.  These are the battle sylphs, the lethally aggressive males of their species, all capable of immense levels of destruction and death.  A single battle sylph could destroy an army or devastate a city, and where the elemental sylphs are content with their role of slave, the battlers chafe at it, looking constantly for a way to escape but bound to obey as surely as their sisters.

Where earth, air, water, fire, and healing sylphs are lured through the gate by gifts, art, music, or other quiet things, the battle sylphs are tempted by murder.  To draw them through, they are presented with the offering of a virgin girl who is sacrificed at the instant of the battler’s arrival in order to bind them to her killer.  Her blood ties them together, leaving the battle sylph master the only one who can control the monster.

Unlike the other sylphs, this control is absolutely necessary and the battlers are bound to only the strongest and hardest of men, for they’re always looking for a chance to break that control. They broadcast their hatred in an aura around them that is unrelenting.  Only the strongest of men would be able to stand up to it, for to be near a battle sylph is to feel their loathing and need to kill, to know that they would slaughter even their own masters if given the slightest chance.  They are evil, people whisper, for a battle sylph left uncontained will do nothing except destroy and a battle sylph has the power to destroy anything.  They’re nothing more than killing machines, waiting only for the rare moments when their masters set them loose to murder. But they are also necessary.  A kingdom without battlers would soon fall to those in possession of them, and an unexpected peace has risen from the existence of these beings who only want to kill.

But humans don’t know as much as they think they do about battle sylphs.

Battlers are indeed capable of a tremendous amount of destruction, though few men have ever thought to wonder just what it is about the world battlers came from that makes such destructive power necessary.  Hatched into hives that could have from hundreds to many thousands of sylphs, their purpose is two-fold.  To protect the hive with a protective instinct that is so strong they hate any male not of their own hive line and war against them constantly, and to love the queen of the hive.  Strong as their fighting instincts are, their need to be the lover of the queen is even stronger.  There lies the greatest tragedy of the battle sylph, for no matter whether the hive has a hundred battlers or a thousand, it only has one queen and most of the battlers that protect her will never get the chance to touch her.

The battle sylphs don’t come through the gate because they see a girl about to be killed or a man waiting to take control of them.  They come through because they see a woman they could love as dearly as they would a queen.  A woman they wouldn’t have to compete against a thousand other battlers to get to or ever fear would cast them away for the next conquest.  A queen they could give themselves to without reservation, for it’s more than just the giving of a master and a name to a sylph that binds them to obey.  That instinct is as inherent in the battler as it is in all sylphs.  They are born to do whatever their queen asks without hesitation, and the bindings that men put on them are merely a mockery of that.  It is a perversion of what they are and everything they’d hoped to gain.

The battle sylphs bound in Eferem radiate their hatred of that truth and use it to hide the pain of their loss.  Their hive, their queen, the woman they left it all for…all stolen from them, and if they didn’t hide their agony with their hate, their masters would know and that would be even more unbearable.

The greatest wish of a battler is to belong to a woman who would recognize her power over him and not hurt him with it.  Born a shape-shifter who won’t die of old age, instead just growing bigger and more powerful, he doesn’t care what she looks like.  He doesn’t care how old she is or how lovely or how flawed.  His empathy lets him look straight into her soul and once a battle sylph gives his love and his obedience, it is for forever.  All she has to do is love him back and he would destroy the world if that was what it took to keep her safe.

In Eferem, no one understands this, for even if a battle sylph was allowed to speak to his master, what master could be trusted to understand?  They’re just clever animals, hating everyone and everything equally and trying to break free.  Everyone knows that, for that’s the way it’s always been, and no battle sylph has ever managed to escape.

Until now.

~L. J. McDonald

Dorchester Publishing Names New CEO With an Eye to the Future

NEW YORK, New York (November 16, 2010) – Dorchester Publishing Co., Inc., founded in 1971, and what was until this year the oldest independent mass-market publisher in the U.S., has changed leadership in its mission to revitalize Dorchester and blaze a path as an exciting independent digital and trade publisher of genre fiction.

Taking over the role of Dorchester’s CEO will be Mr. Robert Anthony, current CFO & COO of Backe Digital Brand Marketing, who brings with him more than 25 years of experience in financial and operations management. Prior to his time at Backe Marketing, Anthony was the president of The Blue Sky Financial Group, which provides business consulting services on operational strategies and business development. As a CPA he has worked in public accounting, gaining exposure to a wide variety of business models, and he was the controller for one of the largest investment management organizations in the United States, Federated Investors, where he held an integral role in the planning, restructuring, development and growth of that company.

“My first goal with Dorchester is to reorganize and improve the accounting and internal financial reporting structure. This will include a complete review of the royalty system and other vitally important internal procedures, all of which are intended to focus on shoring up revenue sources and paying off creditors. We will create an atmosphere of transparency and efficiency that was heretofore lacking,” announced Anthony after taking charge on Friday. He is importing new staff to handle the tasks, though Dorchester’s remaining core will go unchanged.

Dorchester is known for having built such stars as Christine Feehan, Katie MacAlister, Connie Mason, Lynsay Sands, and numerous others, and its authors have been bestsellers of The New York Times, USA Today, Barnes & Noble, and many more. Earlier this year, Dorchester changed its focus from mass-market paperbacks to e-books and trade paperbacks. While the trade line was planned for some time, the mid-August shift to e-books was predicated by financial difficulties stemming from the contracting mass-market industry and came with a significant reduction in Dorchester’s staff, which caused some missteps in the implementation of the new company strategy. Mixed messages to media outlets and unpredicted procedural changes also contributed, undermining author confidence and leading to rumors of imminent bankruptcy.

“We are going to reinvigorate this company,” declared Anthony.  “I’ve quickly learned that the employees at Dorchester are a talented and professional group. We’re going to do whatever it takes.”

Some steps have already been taken: After a deal with Offset Paperback Manufacturers, previously unavailable mass-market copies of Dorchester’s author backlist are once again available to some vendors and through the company Web site——and after a short hiatus in new-book production, the company intends to release its Winter e-book list on November 23, 2010, just in time for the holiday season. An arrangement has been reached so that Ingram will be distributing Audio Realms audio versions of popular Dorchester books as well as the trade releases, and the company’s Web site will be revamped and launched right before the end of the year. Writers groups such as SFWA, RWA and MWA are being contacted to help spread news of the changes.

Contrary to mistaken previous reports, Dorchester intends to produce all titles in both e-book and trade paperback form, using both Ingram’s regular trade printing ability or advanced inventory technology as orders dictate. The trade paperbacks will begin appearing in January 2011 and be distributed through Ingram Publishing Services, who will sell Dorchester’s product into standard retail outlets such as Barnes & Noble, Borders, Waldenbooks, BooksAMillion, Powell’s, Wal-Mart, Target and K-Mart, among others. A recent changeover from LibreDigital to Core Source, Ingram’s digital warehousing and e-book sales arm, will also facilitate forward growth and the expedited availability of popular authors’ backlists in e-book form.


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